Friday, September 16, 2011

The First Thing About Buying Your First Bass


If you don’t play then don’t spend too much money. Choosing the right bass won’t be easy until after you’ve been playing for a while. Once you have a good year of lessons behind you, you can make wiser choices with your money.
Size
Bass is a large instrument. It can be played with any size hands, but for most everyone it will require some stretching in the beginning that you are not used to. For beginners, it is a little easier starting on a bass that has a smaller neck in terms of thickness. For instance, Ibanez basses have very thin and easy to play necks, where some Fender basses have quite large necks. If your hands are smaller, go with the smaller neck. If you have large hands go with the bigger necks if you prefer.
Tone
The differences among beginner basses under £200 aren't that big.
The pickups play a large role in the sound of the bass. For a wider range of tone, get a bass that has two sets of pickups. There are 2 common pickup styles — P-pickups and J-pickups. They are named after Fender's Precision bass (P) and Jazz bass (J) original pickup designs. The P-pickups look like two offset rectangles - one under each pair of strings. The J-pickups look like a long, thin rectangle. Both have their own unique sound. Also the placement of the pickups affects the tone. A beginning bass with a P-J setup will give you the most tonal variety.
Where was it made?
Most basses are now made in foreign countries. The poorest quality basses seem to come from China, Mexico, Malaysia and Indonesia. The best quality basses seem to come from the U.S.A., Japan and Korea. This is something to which you might pay attention. It is usually clearly marked somewhere on the bass. More and more manufacturers are outsourcing their manufacturing to compete. And, recently the quality gap has been closing. This is less important now.

Jazz Bass
Precision Bass

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How To Sound Like The Foo Fighters (Dave Grohl and Chris Shiflett)


Dave Grohl
  • Distortion:8
  • Treble:7
  • Middle:5
  • Bass:3
  • Reverb:3 (room)




Chris Shiflett works with quite a collection of Gibsons
  • ·         57 Les Paul Goldtop,
  • ·         Les Paul Junior,
  • ·         Les Paul Custom
  • ·         ES-335 
  • ·         Firebird.

When it comes time to amps Shiflett uses
Marshall and Mesa Boogie
Guitar Rig 3 Settings below



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South Shields Guitar Lessons: The pentatonic scale

South Shields Guitar Lessons: The pentatonic scale: guitar lessons in south shields www.rock-licks.com

Wednesday, September 14, 2011

Teaching Guitar To Someone With Learning Difficulties


Teaching Guitar To Someone With Learning Difficulties
When you’re a guitar teacher not every student is going to be the next Van Halen.  Each student is a challenge for all sorts of different reasons.
Recently I was asked to teach someone with learning difficulties. The phrase learning difficulties covers a wide area and you can’t categorize everyone with the same label.
The student I had was unable to read well and couldn’t understand chord boxes. Explaining chords was proving difficult. At first I was drawing a blank as to what to do.

Moment of Inspiration.
  • Tuned Students Guitar To An E Chord
  • ·         Student Could Strum Without Using Left Hand
  • ·         Enabled Student To Play Chords With On Finger
  • ·         Huge Boost To Confidence

Guitar In Open Tuning E (E,B,E,G#,B,E)
Example Heartbreak Hotel by Elvis is E A and B chords
Introduction can be played open. A Chord on 5th Fret B Chord on 7th Fret

If anyone has any good suggestions on the subject feel free to comment.

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WIN a Fender Standard Stratocaster signed by Sonisphere artists

Competition From Total Guitar Magazine
https://www.futurecompetitions.com/tg219sphere/Default.asp?


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Monday, September 12, 2011

The New Native Instruments Guitar Rig 5 Software


Just got my hands on the new Native Instruments Guitar Rig 5. If you have an older version you’ll wonder what’s new.
In short 2 new amps, 130 new presets 6 new effects a control room.

Two New Amps



The Van 51 delivers superstar signature sound from hard rock to blistering crunch — great for drop tunings and menacing palm-muted chug. 

The Hot Solo+ recalls a classic hand-wired amp with a boutique, responsive overdriven tone. For expressive, singing solos that still sound heavy as hell, the Hot Solo+ is your amp.

Six New Effects



Fast Comp — A warm, vintage-style compressor for keeping your peaks in check. Essential for clean sounds.

Vintage Verb — Eight different classic plate and spring reverbs. Not just for retro — also great for adding class and character. 

Little Reflektor — Advanced convolution reverb, based on the acclaimed REFLEKTOR, with eight impulse responses plus decay and low cut control. 

Stereo Tune — Not a tuner! Spreads and detunes the stereo image for a fatter sound and de-tuned effects. 

Filterbank — Drastically transform your sound with this powerful 8-band filter, with a global frequency shift and stretch parameter for highly expressive effects. 

Resochord — Turn notes into chords and get shimmering, resonating sci-fi chorus with this six-pole harmonizer. 

Custom Multi Effects : container



The new Container is a utility module for creating and storing multi-effects and custom channel strips. Assemble your processing chain, then assign the eight macro-controls to the key controls on any of the effects in the chain. It's a great way to get simple control over your sound, and an essential tool for performance.

Control Room



Extending the already comprehensive mix options in the Control Room, the new 'Pro' version gives you eight custom setups at once, for the ultimate in extravagant, almost limitless fine-tuning. Arm each track of the 8-track mixer with your choice of cabinet, mics and positioning. Choose from 27 cabinets, up to 16 microphones and up to three mic positions, including room mics. Then juggle the levels for intense sonic perfection. 

Control Room Pro is powered by high-quality impulse responses from Redwirez.









The sound designers at NATIVE INSTRUMENTS have been busy with the new amps and effects, and they've created over 130 new presets. Highlights include an array of warm, absolutely realistic clean sounds, a number of searing distortion presets and ready-to-use multi FX.

130 New Presets


Added Side Chaining


Side-chaining is an extremely useful technique for reducing sonic clutter and creative 'pumping' effects. GUITAR RIG 5 PRO adds side-chain inputs to a number of compressors and Modifier modules, making it easy to incorporate this technique into your effects chains.



Components
Guitar Rig models the following pieces of hardware (pseudonyms are bracketed and italicised).
Amplifiers
§  Fender Bassman (Tweedman)
§  Vox AC30 (AC Box)
§  Marshall 1959 SLP (Plex)
§  Roland Jazz Chorus-120 (Jazz Amp)
§  Marshall JCM800 Lead (Lead 800)
§  Ampeg VT-40 (Bass VT)
§  Bogner Ãœberschall (Ultrasonic)
§  Orange Overdrive OD120 (Citrus)
§  Hiwatt DR-103 (High White)
§  Fender Tweed Deluxe (Tweed Delight)
§  Fender Twin Reverb (Twang Reverb)
§  Mesa/Boogie Dual Rectifier (Gratifier)
Microphones
§  Royer R-121 (Rib 121)
§  Shure SM57 (Dynamic 57)
§  Neumann U47 (Con 47)
§  Neumann U67 (Con 67)
§  Sennheiser MD421 (Dynamic 421)
§  Sennheiser MD441 (Dynamic 441)
§  Electro-Voice RE20 (Dynamic 20)
§  Heil PR 40 (Dynamic 40)
Effects units
Distortion
§  Boss DS-1 Distortion (Distortion)
§  Boss MT-2 Metal Zone (Metalzone or MeZone in Guitar Rig 4)
§  Pro Co RAT (Cat)
§  Electro-Harmonix Big Muff Pi (Big Fuzz)
§  Dunlop Dallas Arbiter Fuzz Face (Fuzz Ace) (Not Present in Guitar Rig 4)
§  Tech 21 SansAmp GT2 (TransAmp)
§  MXR Dime Distortion DD11 (Demon Distortion)
§  Marshall Jackhammer JH-1 (Sledge Hammer)
[Modulation
§  TC Electronic Stereo Chorus + Flanger (Chorus + Flanger)
§  Boss CE-1 Chorus Ensemble (Ensemble)
§  Electro-Harmonix Electric Mistress (Electric Lady)
§  MXR Phase 90 (Phaser Nine)
§  Electro-Harmonix Small Stone (Stoned Phaser)
§  moogerfooger MF-102 Ring Modulator (Ring Modulator)
§  Boss OC-2 Octave (Octaver)
§  DigiTech WH-4 Whammy (Pitch Pedal)
§  Electro-Harmonix Micro Synthesizer (Harmonic Synthesizer)
Delay
§  Roland RE-201 Space Echo (Tape Echo)
§  Electro-Harmonix Memory Man (Delay Man)
Filter
§  Dunlop Cry Baby (Cry Wah)
§  Real McCoy Custom RMC-1 (Real Wah)
§  Boss AW-3 Dynamic Wah (Autofilter)
Other
Other modeled hardware includes Leslie speakers, tape loops, step sequencers and low-frequency oscillators.

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Wednesday, September 7, 2011

Should I Buy Glass or Metal Slide For Slide Guitar

Many say you need a glass slide to get the real sound of slide guitar.

  • Glass Slides have a mellow sound but can break
  • Chrome Slides can be cold sounding and lacking in character
  • Brass Slides are warmer with more mid range and some say have more sustain than glass
Top Tip: A Guitar With A Raised Action Works and Sounds Much Better

Most importantly buy a slide that fits your finger


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