Monday, September 12, 2011

The New Native Instruments Guitar Rig 5 Software


Just got my hands on the new Native Instruments Guitar Rig 5. If you have an older version you’ll wonder what’s new.
In short 2 new amps, 130 new presets 6 new effects a control room.

Two New Amps



The Van 51 delivers superstar signature sound from hard rock to blistering crunch — great for drop tunings and menacing palm-muted chug. 

The Hot Solo+ recalls a classic hand-wired amp with a boutique, responsive overdriven tone. For expressive, singing solos that still sound heavy as hell, the Hot Solo+ is your amp.

Six New Effects



Fast Comp — A warm, vintage-style compressor for keeping your peaks in check. Essential for clean sounds.

Vintage Verb — Eight different classic plate and spring reverbs. Not just for retro — also great for adding class and character. 

Little Reflektor — Advanced convolution reverb, based on the acclaimed REFLEKTOR, with eight impulse responses plus decay and low cut control. 

Stereo Tune — Not a tuner! Spreads and detunes the stereo image for a fatter sound and de-tuned effects. 

Filterbank — Drastically transform your sound with this powerful 8-band filter, with a global frequency shift and stretch parameter for highly expressive effects. 

Resochord — Turn notes into chords and get shimmering, resonating sci-fi chorus with this six-pole harmonizer. 

Custom Multi Effects : container



The new Container is a utility module for creating and storing multi-effects and custom channel strips. Assemble your processing chain, then assign the eight macro-controls to the key controls on any of the effects in the chain. It's a great way to get simple control over your sound, and an essential tool for performance.

Control Room



Extending the already comprehensive mix options in the Control Room, the new 'Pro' version gives you eight custom setups at once, for the ultimate in extravagant, almost limitless fine-tuning. Arm each track of the 8-track mixer with your choice of cabinet, mics and positioning. Choose from 27 cabinets, up to 16 microphones and up to three mic positions, including room mics. Then juggle the levels for intense sonic perfection. 

Control Room Pro is powered by high-quality impulse responses from Redwirez.









The sound designers at NATIVE INSTRUMENTS have been busy with the new amps and effects, and they've created over 130 new presets. Highlights include an array of warm, absolutely realistic clean sounds, a number of searing distortion presets and ready-to-use multi FX.

130 New Presets


Added Side Chaining


Side-chaining is an extremely useful technique for reducing sonic clutter and creative 'pumping' effects. GUITAR RIG 5 PRO adds side-chain inputs to a number of compressors and Modifier modules, making it easy to incorporate this technique into your effects chains.



Components
Guitar Rig models the following pieces of hardware (pseudonyms are bracketed and italicised).
Amplifiers
§  Fender Bassman (Tweedman)
§  Vox AC30 (AC Box)
§  Marshall 1959 SLP (Plex)
§  Roland Jazz Chorus-120 (Jazz Amp)
§  Marshall JCM800 Lead (Lead 800)
§  Ampeg VT-40 (Bass VT)
§  Bogner Überschall (Ultrasonic)
§  Orange Overdrive OD120 (Citrus)
§  Hiwatt DR-103 (High White)
§  Fender Tweed Deluxe (Tweed Delight)
§  Fender Twin Reverb (Twang Reverb)
§  Mesa/Boogie Dual Rectifier (Gratifier)
Microphones
§  Royer R-121 (Rib 121)
§  Shure SM57 (Dynamic 57)
§  Neumann U47 (Con 47)
§  Neumann U67 (Con 67)
§  Sennheiser MD421 (Dynamic 421)
§  Sennheiser MD441 (Dynamic 441)
§  Electro-Voice RE20 (Dynamic 20)
§  Heil PR 40 (Dynamic 40)
Effects units
Distortion
§  Boss DS-1 Distortion (Distortion)
§  Boss MT-2 Metal Zone (Metalzone or MeZone in Guitar Rig 4)
§  Pro Co RAT (Cat)
§  Electro-Harmonix Big Muff Pi (Big Fuzz)
§  Dunlop Dallas Arbiter Fuzz Face (Fuzz Ace) (Not Present in Guitar Rig 4)
§  Tech 21 SansAmp GT2 (TransAmp)
§  MXR Dime Distortion DD11 (Demon Distortion)
§  Marshall Jackhammer JH-1 (Sledge Hammer)
[Modulation
§  TC Electronic Stereo Chorus + Flanger (Chorus + Flanger)
§  Boss CE-1 Chorus Ensemble (Ensemble)
§  Electro-Harmonix Electric Mistress (Electric Lady)
§  MXR Phase 90 (Phaser Nine)
§  Electro-Harmonix Small Stone (Stoned Phaser)
§  moogerfooger MF-102 Ring Modulator (Ring Modulator)
§  Boss OC-2 Octave (Octaver)
§  DigiTech WH-4 Whammy (Pitch Pedal)
§  Electro-Harmonix Micro Synthesizer (Harmonic Synthesizer)
Delay
§  Roland RE-201 Space Echo (Tape Echo)
§  Electro-Harmonix Memory Man (Delay Man)
Filter
§  Dunlop Cry Baby (Cry Wah)
§  Real McCoy Custom RMC-1 (Real Wah)
§  Boss AW-3 Dynamic Wah (Autofilter)
Other
Other modeled hardware includes Leslie speakers, tape loops, step sequencers and low-frequency oscillators.

guitar lessons in south shields www.rock-licks.com

Wednesday, September 7, 2011

Should I Buy Glass or Metal Slide For Slide Guitar

Many say you need a glass slide to get the real sound of slide guitar.

  • Glass Slides have a mellow sound but can break
  • Chrome Slides can be cold sounding and lacking in character
  • Brass Slides are warmer with more mid range and some say have more sustain than glass
Top Tip: A Guitar With A Raised Action Works and Sounds Much Better

Most importantly buy a slide that fits your finger


south shields guitar lessons www.rock-licks.com




How To Sound Like Slash



Presence: 7
Bass: 8
Middle: 6
Treble: 6
Master Volume 1: 3
Gain control 1: 7
Gain Control 2: 3 


If you cant afford all this gear and you have Guitar Rig software:


guitar lessons in south shields www.rock-licks.com


Tuesday, September 6, 2011

How To Sound Like John Frusciante (RHCP)

Gain - 4
Treble - 8
Mid - 2
Bass - 6
Reverb - 7

Guitars ’55 and ’62 Fender Stratocasters; ’69 Les Paul Custom; Martin 0-15.
Amps Marshall Major and Silver Jubilee heads. Marshall 4x12 cabinets with stock Celestions.
Effects Boss CE-1 Chorus Ensemble, DS-1 Distortion, DS-2 Turbo Distortion; Electro-Harmonix English Muff’n fuzz, Holy Grail Reverb, Big Muff Pi fuzz, POG Polyphonic Octave Generator, Electric Mistress Flanger; DOD 680 Analog Delay; Moog MF-105 MuRF, MF-105B Bass MuRF, MF-101 Low-Pass Filter, MF-103 Phaser; Ibanez WH-10 Wah; Dunlop DB-02 Dime Custom CryBaby.
Strings D’Addario .010-.046.



south shields guitar lessons www.rock-licks.com


How To Sound Like Steve Vai


set up your amp like this. 

gain- 7 
bass- 6 
mids- 4 
treble- 7 

use delay to taste 



guitar lessons south shields www.rock-licks.com


Monday, September 5, 2011

Do I Need To Learn To Read Music To Play Guitar?



The simple answer to the above question is no. Many top guitarists don’t read music. This doesn’t however mean that you should dismiss ever learning to read music.

The beginner guitarist learning chords and strumming songs realises quite quickly that you can do a lot on guitar without knowing a note of music.

Learning more complicated pieces using guitar tablature can be achieved and you still haven’t learnt a note of music.

Learning scale shapes too means you can play lead without knowing all the names of the notes.

One thing that stops people learning to read music is that they assume it’s too difficult.
Without getting too in depth musical notes go from A to G. There are no sharps or flats between Band C or E and F.
Musical Alphabet goes: A/A#.Bb/B/C/C#.Db/D/D#.Eb/E/F/F#.Gb/G/G#.Ab/A

Plus Points of Reading Music
1.       Understanding of Other Musical Instruments
2.       Playing Music You Haven’t Heard before
3.       Finding Root Notes of Chords and Scales
4.       Understanding Chord Names
5.       Writing Down Your Ideas Accurately
6.       Editing Midi Software

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What Will I Learn at Rock Licks Guitar Tuition www.rock-licks.com


What Will I Learn From Guitar Lessons
We’ll look at the CAGED system to learn chords. This will mean you will know
  • ·         Major Minor and 7th Chords in open positions (All other chord types)
  • ·         All above chords in five positions covering the entire guitar neck
  • ·         Barre Chords
  • ·         Understanding Chord names
Understanding the Guitar Neck

You will learn to be able to work out the names of all the notes on the fret board.  Understanding the musical alphabet enables the student to easily work out notes on guitar.
Scales
  • ·         Pentatonic Scale Major/Minor in all keys
  • ·         Blues Scale in all keys
  • ·         Major Scales in all keys
  • ·         Modes (Ionian/Dorian/Phrygian/Lydian/Mixolydian/Aeolian/Locrian
  • ·         Harmonic Minor Scale
  • ·         Diminished and Symmetrical Scale
  • Understanding Key Signatures
  • ·         Cycle of Fiths
  • ·         Chords in All Keys
  • ·         Relative Major and Minor Keys

How To Read Guitar Tablature
Guitar Tablature is a very popular and easy way to learn to play guitar pieces without necessarily having to learn to read music.

How To Read Music
Many guitarists don’t learn to read music. One reason is people think it’s going to be difficult or that it is unnecessary. Though learning to read music is optional realising how easy it is encourages students to learn.

Technique
  • ·         Strumming and Rhythm
  • ·         Finger Picking
  • ·         Lead Guitar (String Bends/ Vibrato)
  • ·         Arpeggios
  • ·         Sweep Picking
  • ·         Two Hand Tapping

How To Write Songs

  • ·         Understanding Popular Chord Progressions
  • ·         Song Structure
  • ·         Writing a Guitar Solo

How To Play With a Band
  • ·         Timing
  • ·         Using Backing Tracks
  • ·         Memorizing Songs

Recording
  • ·         Software (Cubase/Guitar Rig/Amplitube)
  • ·         Setting Up Amp
  • ·         Guitar Tone
  • Guitar Lessons in south shields www.rock-licks.com